About The Music 
            Wind Ensemble
            The arrangements for wind ensemble were made to fill a gap in the 
              repertoire and to provide material that allows the planning of entertaining 
              and varied wind octet and nonet concerts. The pieces generally do 
              not last more than 4 – 5 minutes and some of the shorter ones 
              are ideal for encores. Most of the arrangements are challenging 
              but my main aim has been to make them interesting and fun for all 
              the players. 
            The Budapest Wind Ensemble, who have often included my Dvorák 
              arrangements in their programmes, regularly add a double-bass to 
              wind octets, even the Mozart Serenades. I think that this is worth 
              doing whenever possible and is in keeping with the Harmoniemusik 
              tradition. I have therefore included optional parts for double-bass 
              in most of the octets. A contrabassoon can be used instead although 
              in some works care must be taken that it is not too dominant. I 
              have not used a double-bass in the nonets, partly because they were 
              arranged for concerts where our flautist doubled on bass. (A 'piccolo 
              doubling double-bass' part is available for the Nibelungen March 
              if required!) 
            Only a few of my arrangements have been available to the general 
              public up to now. The three Slavonic Dances published by Boosey 
              & Hawkes have been performed and broadcast on a number of occasions. 
              At least three recordings have been made of them. 
            The Wind Soloists of the Chamber Orchestra of Europe made a CD 
              (COE 812) in 1989. The playing is excellent although they did make 
              one or two (unauthorised) changes to the arrangements. Incidentally, 
              a propos of this, I used the original piano duets as the basis of 
              the arrangements, partly to avoid being influenced by the orchestrations. 
              These differ in some respects from the orchestral versions. For 
              example, the last bar of No.9 is silent in the piano version - which 
              I have retained - but has a note in the orchestral version (which 
              the COE added!) 
            The Budapest Wind Ensemble made a cassette tape in 1991 called 
              Serenade. As far as I am concerned this is the definitive performance. 
            There is also a recording by Harmonie Ensemble, New York on a CD 
              called "Dvorak and Friends - Czech Wind Music" which I 
              haven't heard. 
            Horn Music
            In my experience, when string players meet for an evening of quartets 
              they sit down and play quartets; when horn players meet to play 
              they get out the beers and put on CDs of other horn players. The 
              music for horns was written just in case we feel like doing some 
              actual playing. Although I have quite a few pieces not many are 
              available here yet. 
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